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Freud's Theory of Self and Personality.

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Freud's Psychoanalytical Theory of Self and Personality Within Relation to Cinema and Film.  What is Freud's theory? Sigmund Freud is seen as a founding father of psychoanalytic study, or study of the human mind and the way that it functions. Freud's "psychoanalytic theory of personality argues that human behaviour is the result of the interaction between three component parts of the mind: the id, the ego and the superego" ( Karen Horney, 2015).  According to "The Ego and The Id" ( Sigmund Freud, 1923 ), the human personality develops from interactions between these three fundamental structures of the mind.  the Id- the most primitive of the structures, the Id is concerned only with the instant gratification of basic and primitive needs and urges such as sex and desire. The Id operates unconciously meaning that we have no control over it. the Ego- the Ego is the rational and pragmatic part of the human psyche; it is less primitive than...
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Lacanian Theory and Rpb Reiner's 'Misery' (1990)

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How are Elements of Lacan's Psychoanalytical Theories Conveyed in the film 'Misery' (1990) Many horror films employ microcosms of psychoanalytical theory in order to instill feelings of anxiety, suspense and fear in their audience at certain points; using psychoanalytical theory on an audience might seek to make the viewer think about the situation within it's likelihood to reality, which is what gives a truly great horror its lasting psychological affect. I find that a film that uses psychoanalytical theory in this way is Rob Reiner's 'Misery' (1990) due to it's realistic narrative- rather than employing the use of ghouls or monsters, Misery takes Stephen King's best-selling novel and depicts the believable story of a man who is rescued by his number one fan come worst nightmare. 'Misery' as a production presents the audience to an entirely realistic scenario from the outset, following writer Paul Sheldon, played by James Caan through ...
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Andrew Goodwin- 'Dancing in the Distraction Factory'

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Andrew Goodwin, often described by those in the industry as 'the professor of pop' theorised six key aspects that videos should meet in order to ensure a successful music video. These were summarised in his publication, 'Dancing in the Distraction Factory' as: Music videos have genre characteristics, for example a boyband might have a choreographed routine whereas a metal band would follow a stage performance. Relationship between visuals and lyrics- this relies on the use of semiotic meaning, used frequently throughout the film and media industry."semiotics is the study of signs, their meanings and interpretations, meaning that semiotic imagery in this case would be relative to the lyrical content of the song, so for example if the word 'cat' was to be used, an image of a cat could appear on screen signalling the viewers relation between the image of the cat and the word, even if that particular semiotic is not directly related to the lyric as a whole p...
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